100 phim hàng đầu viện phim mỹ năm 2022

Hãng truyền thông Anh BBC ngày 21/7 đã cho công bố kết quả bình chọn "100 bộ phim Mỹ hay nhất mọi thời đại."

Để có được danh sách này, BBC đã trưng cầu ý kiến từ 62 nhà phê bình phim quốc tế và yêu cầu họ đưa ra danh sách 10 phim Mỹ ưa thích nhất trước khi tổng hợp lại theo cách tính điểm. Đứng đầu là bộ phim kinh điển "Citizen Kane" của đạo diễn Orson Welles.

Ra đời năm 1941, "Citizen Kane" được xem như một tác phẩm mang tính cách mạng trong điện ảnh về cách quay phim, dẫn chuyện và sử dụng âm nhạc.

Trong quá khứ, bộ phim kinh điển này từng đứng đầu danh sách "100 phim vĩ đại nhất mọi thời" do Viện Điện ảnh Mỹ AFI bình chọn vào năm 1998 và 2007.

Trong các cuộc bình chọn những bộ phim hay nhất trong lịch sử, "Citizen Kane" luôn nằm trong nhóm đầu.

Xếp sau "Citizen Kane" là các bộ phim nổi tiếng khác như "The Godfather" (1972) hay "Vertigo" (1958). Bộ phim cổ nhất lọt vào danh sách này là "Birth of a Nation" (1915) còn mới nhất là "12 Years a Slave" (2013).

Các đạo diễn Billy Wilder, Steven Spielberg và Stanley Kubrick là những người có nhiều phim nhất trong danh sách này với năm phim cho mỗi người.

Những đạo diễn nổi tiếng đương đại như David Fincher, Michael Mann, Paul Thomas Anderson hay anh em nhà Coen đều không có tác phẩm nào góp mặt.

Danh sách 100 bộ phim Mỹ hay nhất mọi thời đại:

100. Ace in the Hole (Billy Wilder, 1951)
99. 12 Years a Slave (Steve McQueen, 2013)
98. Heaven’s Gate (Michael Cimino, 1980)
97. Gone With the Wind (Victor Fleming, 1939)
96. The Dark Knight (Christopher Nolan, 2008)
95. Duck Soup (Leo McCarey, 1933)
94. 25th Hour (Spike Lee, 2002)
93. Mean Streets (Martin Scorsese, 1973)
92. The Night of the Hunter (Charles Laughton, 1955)
91. ET: The Extra-Terrestrial (Steven Spielberg, 1982)
90. Apocalypse Now (Francis Ford Coppola, 1979)
89. In a Lonely Place (Nicholas Ray, 1950)
88. West Side Story (Robert Wise and Jerome Robbins, 1961)
87. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
86. The Lion King (Roger Allers và Rob Minkoff, 1994)
85. Night of the Living Dead (George A Romero, 1968)
84. Deliverance (John Boorman, 1972)
83. Bringing Up Baby (Howard Hawks, 1938)
82. Raiders of the Lost Ark (Steven Spielberg, 1981)
81. Thelma & Louise (Ridley Scott, 1991)
80. Meet Me in St Louis (Vincente Minnelli, 1944)
79. The Tree of Life (Terrence Malick, 2011)
78. Schindler’s List (Steven Spielberg, 1993)
77. Stagecoach (John Ford, 1939)
76. The Empire Strikes Back (Irvin Kershner, 1980)
75. Close Encounters of the Third Kind (Steven Spielberg, 1977)
74. Forrest Gump (Robert Zemeckis, 1994)
73. Network (Sidney Lumet, 1976)
72. The Shanghai Gesture (Josef von Sternberg, 1941)
71. Groundhog Day (Harold Ramis, 1993)
70. The Band Wagon (Vincente Minnelli, 1953)
69. Koyaanisqatsi (Godfrey Reggio, 1982)
68. Notorious (Alfred Hitchcock, 1946)
67. Modern Times (Charlie Chaplin, 1936)
66. Red River (Howard Hawks, 1948)
65. The Right Stuff (Philip Kaufman, 1965)
64. Johnny Guitar (Nicholas Ray, 1954)
63. Love Streams (John Cassavetes, 1984)
62. The Shining (Stanley Kubrick, 1980)
61. Eyes Wide Shut (Stanley Kubrick, 1999)
60. Blue Velvet (David Lynch, 1986)
59. One Flew Over the Cuckoo’s Nest (Miloš Forman, 1975)
58. The Shop Around the Corner (Ernst Lubitsch, 1940)
57. Crimes and Misdemeanors (Woody Allen, 1989)
56. Back to the Future (Robert Zemeckis, 1985)
55. The Graduate (Mike Nichols, 1967)
54. Sunset Boulevard (Billy Wilder, 1950)
53. Grey Gardens (Albert and David Maysles, Ellen Hovde và Muffie Meyer, 1975)
52. The Wild Bunch (Sam Peckinpah, 1969)
51. Touch of Evil (Orson Welles, 1958)
50. His Girl Friday (Howard Hawks, 1940)
49. Days of Heaven (Terrence Malick, 1978)
48. A Place in the Sun (George Stevens, 1951)
47. Marnie (Alfred Hitchcock, 1964)
46. It’s a Wonderful Life (Frank Capra, 1946)
45. The Man Who Shot Liberty Valance (John Ford, 1962)
44. Sherlock Jr (Buster Keaton, 1924)
43. Letter from an Unknown Woman (Max Ophüls, 1948)
42. Dr Strangelove (Stanley Kubrick, 1964)
41. Rio Bravo (Howard Hawks, 1959)
40. Meshes of the Afternoon (Maya Deren và Alexander Hammid, 1943)
39. The Birth of a Nation (DW Griffith, 1915)
38. Jaws (Steven Spielberg, 1975)
37. Imitation of Life (Douglas Sirk, 1959)
36. Star Wars (George Lucas, 1977)
35. Double Indemnity (Billy Wilder, 1944)
34. The Wizard of Oz (Victor Fleming, 1939)
33. The Conversation (Francis Ford Coppola, 1974)
32. The Lady Eve (Preston Sturges, 1941)
31. A Woman Under the Influence (John Cassavetes, 1974)
30. Some Like It Hot (Billy Wilder, 1959)
29. Raging Bull (Martin Scorsese, 1980)
28. Pulp Fiction (Quentin Tarantino, 1994)
27. Barry Lyndon (Stanley Kubrick, 1975)
26. Killer of Sheep (Charles Burnett, 1978)
25. Do the Right Thing (Spike Lee, 1989)
24. The Apartment (Billy Wilder, 1960)
23. Annie Hall (Woody Allen, 1977)
22. Greed (Erich von Stroheim, 1924)
21. Mulholland Drive (David Lynch, 2001)
20. Goodfellas (Martin Scorsese, 1990)
19. Taxi Driver (Martin Scorsese, 1976)
18. City Lights (Charlie Chaplin, 1931)
17. The Gold Rush (Charlie Chaplin, 1925)
16. McCabe & Mrs Miller (Robert Altman, 1971)
15. The Best Years of Our Lives (William Wyler, 1946)
14. Nashville (Robert Altman, 1975)
13. North by Northwest (Alfred Hitchcock, 1959)
12. Chinatown (Roman Polanski, 1974)
11. The Magnificent Ambersons (Orson Welles, 1942)
10. The Godfather Part II (Francis Ford Coppola, 1974)
9. Casablanca (Michael Curtiz, 1942)
8. Psycho (Alfred Hitchcock, 1960)
7. Singin’ in the Rain (Stanley Donen và Gene Kelly, 1952)
6. Sunrise (FW Murnau, 1927)
5. The Searchers (John Ford, 1956)
4. 2001: A Space Odyssey (Stanley Kubrick, 1968)
3. Vertigo (Alfred Hitchcock, 1958)
2. The Godfather (Francis Ford Coppola, 1972)
1. Citizen Kane (Orson Welles, 1941)./.

Top reviews from the United States

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Reviewed in the United States 🇺🇸 on January 5, 2022

This is from the original AFI tv broadcast. I'm happy to finally have it on dvd. Since this original list was chosen, the AFI issued one or two revised lists, adding a movie or removing a movie, or completely deleting a previously chosen film. I'm not in complete agreement of the ranking of each film here, but I really don't agree with revising it, just because tastes have changed. Get this dvd and enjoy the films included here. They all rank in my top 100!

Reviewed in the United States 🇺🇸 on August 23, 2000

In 1996, the American Film Institute (AFI) released its list of the 100 best movies of the 100 years from 1896 to 1996. In 1998, AFI released a 145 minute summary of these movies, starting from #100 and moving inexorably up to #1. This was a nice but short sampler of these movies, with only about a minute or so assigned to each movie.
This DVD is a much more complete edition of the AFI top 100 movies, divided into ten different episodes of 45 minutes each, based on general themes, each addressing 10 movies. I really enjoyed the more complete treatment. Also, critical backgrounds of the movies are offered.
I have only two negative comments to make. First, there is the artifical distinction is how the movies are placed in one episode instead of another. For example, does "Rebel Without a Cause" belong in "Family Portraits" when it would perhaps better fit in "Against the Grain" or "Beyond the Law"? However, given that each episode is structured to contain exactly ten movies, "Rebel Without a Cause" was placed in "Family Portraits".
Second, this 450 minute DVD gives away the endings of many of the movies. You'll want to skip over the movies that you have not seen yet.
Still, on the whole, this is a wonderful sampler of great, great movies. If you like classic movies, by all means, buy this DVD. You won't be disappointed.

Reviewed in the United States 🇺🇸 on October 28, 1999

This is an excellent sampler of the top 100 films up to 1996. I've collected all of the AFI movies that I could buy (96 out of 100), and I have watched two-thirds of them. This sampler allowed me to remember the movies I've seen, and to look forward to the remaining movies. I recommend this DVD, and I would like to see the AFI to put a similar edition in a coffee table book.

Reviewed in the United States 🇺🇸 on November 25, 2011

It will be interesting, as the years go by, to see whether AFI's list of top 100 films changes. This DVD is a pleasant piece of film history with bits and pieces of 100 great movies we love watching and rewatching. Narrators Richard Gere, Jodi Foster, Arnold Schwarzenegger, Sally Field add effective narration.

Reviewed in the United States 🇺🇸 on January 21, 2014

I love this documentary. I wish the AFI would come out with their other lists on DVD. I think I've watched this 100 times. It's always fun to watch with a bunch of new friends and see who has seen the most movies from the list.

Reviewed in the United States 🇺🇸 on July 6, 2002

In 1998, the American Film Institute (AFI) celebrated American cinema's first century with a list of 100 of the greatest movies ("English Language" films, according to the rules. More on that later). Since then, various people have both praised and criticized the AFI's selections. I, for one, do both. I praise them for alerting us to treasures of cinema, but criticize them for allowing works that should stand on their own be forced into competition with one another. Now, many people who watch "Citizen Kane" do so to critique and analyze it to see why it's so great, rather then watch it for the fun of it.
But, unlike many people, I realize that this list was not meant to be the definitive opinion on our greatest movies, like how the Oscars aren't always right on what's the best of each year. Rather, this list serves as an introduction to cinema. But shouldn't an introduction include all the basics? For example, the silent era is practically forgotten with only four films (Three Charlie Chaplin and D.W Griffith's "The Birth of a Nation") being selected. Where is Buster Keaton's "The General", Griffith's "Intolerance" and King Vidor's "The Crowd" or "The Big Parade"? How about F.W Murnau's "Sunrise" or Erich Von Stroheim's "Greed"? If at least some of these had been voted for, I would be willing to ignore most other shortcomings.
Many great directors and some of their greatest works were represented. Among these were Alfred Hitchcock, Steven Spielberg, Billy Wilder, Stanley Kubrick, David Lean, Martin Scorsese, Orson Welles, William Wyler, John Ford, Frank Capra and Francis Ford Coppola. However, some of these masters' best works aren't on the list. For example, where is Hitchcock's "Notorious", Welles' "Touch of Evil", Kubrick's "Paths of Glory", Wilder's "The Lost Weekend" and Ford's "The Quiet Man"? These seemed, to me, to be shoo ins. And there are many other directors who aren't even on the list. Besides the aforementioned Keaton and Vidor, where's Preston Sturges and Ernst Lubitsch? And though Howard Hawks' "Bringing Up Baby" did make the cut, I thought "Red River" or "The Big Sleep" would as well.
Other people have also pointed out the inclusion of "British" films on the list such as "The Bridge on the River Kwai" and "A Clockwork Orange". While these movies were made in outside the U.S and by British filmmakers, they were released by major U.S film studios and often starred American actors or received financing by American producers. The fact that the list also represents "English language films" meant these movies were more then eligible.
The AFI also surprised with other choices, but these were welcome ones. I call this the 'Good Unexpected Category'. An example is "Yankee Doodle Dandy" (#100), a hugely entertaining musical with one of James Cagney's best roles (His favorite I believe). But I did not think enough voters had seen it or would have selected it in their top ten. Same with "The Manchurian Candidate" (#67) and "Mutiny on the Bounty" (#86). And I was convinced that none of the voters would have touched "Clockwork Orange" with a ten foot stick, much less give it enough votes to land at #46.
So, I have admitted that the AFI was not completely full of controversy. For they made many great, already spoken for selections and still proved to be full of surprises.
As I stated in the introduction, a list such as this and the others that the AFI made since (The greatest screen legends, comedies, thrillers and romances) have lead into nationwide debates and viewing or reviewing of the movies. I was among those who started looking towards the classics by checking this list out. I originally thought "Citizen Kane" would be a dumb, boring movie. So much for what I knew. With its brilliance, ground breaking film techniques (Which only seem dated because we have lived in its influence) and tremendous entertainment value, I now consider it one of my favorites and proudly own the DVD. Among the others I have seen that I liked include Casablanca, Gone With the Wind, The Godfather, Lawrence of Arabia, On the Waterfront, The Third Man, Chinatown, Double Indemnity, Singing in the Rain and 2001: A Space Odyssey.
And, if the movie strikes us, we start to explore others that are part of its genre and/or were made by the same director or actors, like I have with Stanley Kubrick and Humphrey Bogart. I'm also a closet Musical and Film Noir fan as a result of "Singing in the Rain" and "The Maltese Falcon". If this program's purpose was to encourage that, rather than form a definite record of the greatest movies, then mission accomplished. Just one more thing: If there is a movie on this program you haven't seen yet, you should consider skipping that section for there are likely to be spoilers that might ruin your enjoyment.

Những gì được coi là bộ phim hay nhất của Viện phim Mỹ?

Làm thế nào là khó khăn để vào AFI?

Viện phim Mỹ có phải là một trường học tốt không?

Không có 1 bộ phim hay nhất là gì?